高音小号嘴
Playing the high register on the piccolo trumpet demands great effort from the musician. Consequently this special trumpet should have a corresponding mouth piece音乐家在高音小号上演奏较高的音域需要付出巨大的努力。因此特殊的小号应当有相应的号嘴
The higher the frequencies the lips have to produce, the more power is needed by the mimic muscular apparatus.
嘴唇产生的高频率更多的力量是需要靠模仿肌肉的器械。
Wide cups produce fuller tones b ecause of more lip vibration, high tones, however, cannot be easily produced, which leads to lower endurance.
宽杯的制作是因为能够使嘴唇更充分的震动，但是高音不容易产生这会导致耐力的下降。
The reduced cup width means a less tiresome performance to the musician, which enables him/her to save po wer and to hit the higher tones more precisely. The result will be a more brilliant tone.
减少杯的宽度意味着降低音乐家表演时的疲劳，使他/她在演奏中更加节省力气的同时获得更好的音准和更高的音。
We should however, distinguish between two different groups of musicians, those who use their instruments only occasionally and for a short period of time, and tho se who have devoted themselves to the old masters of music.
我应该把投身音乐的老音乐家和那些很少使用自己乐器的乐手区分开
For the professional trumpeter there is only o ne possible way to master this task b rilliantly: to choose a real piccolo mouthpiece with its corresponding narrow cup diameter.
对于职业的小号演奏者来说只有一种方法来完成这个任务精辟：选择与其相适应的窄杯径的高音小号号嘴。
For musicians playing in orchestras, who play mainly C- or B-trumpets, it will be best to stick to the cup (rim) diameter and rim contour of his/her choice, and use a piccolo cup with the screw-rim of his/her choice. Thus the musician will then be in the po sition to meet most of the demands witho ut having to get used to a new mouthpiece.
Musicians who see no problems at all in changing the rim could think about the possibility of solely using a piccolo rim (rim with a narrow inner diameter). This means that there wo uld be an edge, because the curvature of the rim does not fit perfectly to the curvature of the cup (intentionally a smaller rim is used for a bigger cup), which ho wever, could have some positive effects, as well: more volume of tone, caused by a greater cup volume, narrow rim, which supports the production of hig her frequencies.
Rims
| 唇边型号 | 外部 Ø | 标准宽度 | 杯直径 | 产品描述 |
| R | 27,700 | 15,973 | 16,000 |
Prof. R. Rudolf式唇边(†1995)(Wr. Symphoniker) |
| 7D | 27,950 | 15,974 | 16,000 | 与 Bach 7D Mt. Vernon相对应 |
| BB | 27,890 | 16,096 | 16,000 | 老式的的高音号嘴唇边，较宽 |
| K16 | 27,600 | 16,322 | 16,000 | 唇边的轮廓是以K为标准杯的模块为16.0毫米 |
| N5 | 28,270 | 16,388 | 16,000 | Bo Nilson式唇边 |
Cups
杯型 开孔 深度 杯直径 产品描述 G6 3,60 SS 16,400高音小号和爵士用杯
G5 3,65 S 16,400适用于爵士乐现代音乐和高音小号
GA4 3,70 S 16,400 高音小号和爵士用杯 GB 3,60 M 16,400旧式维也纳式杯
G4 3,60 MD 16,400浅型杯宽赫兹
Every model that shows the letter G in its name is a member of the series G, to which all standard rims (with a width of 16.4mm at a depth of 2.5mm to the inside of the rim)每一个在其名称里有字母G的都归属与G系列，这是标准的唇边（宽度为16.4毫米，到唇边内边的距离为2.5毫米）。
The follo wing picture shows a comparison of the shapes of different module cups.
下图展示的是不同的模块杯的形状对比。
The cup depth has an influence on both sound and ease of play. Cups, which are too deep will produce a beautiful tone, however, when the musician has to strain himself/herself too much, because of the depth, not only the endurance but also the quality of music will suffer enormously.The ease of play will give the musician more freedom in his/her performance.
It is important to find your favourite sound by using the corresponding back bore.
One should always be aware of the fact that estimating a mouthpiece by just looking at the inside of the cup or thro ugh the bore will lead to misjudgements in most cases. If one does not take the back bore into account, the measuring of a mouthpiece by visual judgement will not work. Referring to co mfo rt, the inner width of a mouthpiece is of major importance. My recommendation would be to get further information on this topic from an expert and to try different widths.
The shank
The back bore of the mouthpiece influences its ease of play to a percentage equaling its percentage of length Most musicians are not aware of the importance of this part of the mouthpiece. Mouthpieces are usually Classified a ccording to cup depth and rim width, and the only information one will get by looking through th e bo re is the degree of pollution.
The shape of the back bore can hardly be determined with traditio nal methods as this bore is too long and narrow
to be measured exactly. People began to realise the importance of this part of the mo uthpiece with the introduction o f the screw-rim mouthpiece. The mouthpiece works like a jet, its shape determines speed and intensity of the air compression inside the instrument, as well as the resultin g standing wave. So the musician
can easily choose his/her ideal tone system. The relevant aspects for the musician's choice of the right shank
should be ease of play and desired tone colour. Sometimes it will be impossible to find all aspects embodied in one and
the same mouthpiece. Our mod ule system will satisfy the musician's demands to a large extent.
In the following the number of the shank is inversely proportional to the volume of the shank. This means that number one is a b ulgy shank with a wide bore, whereas number eight is narrow and slim.
Wide shanks produce a full big tone, the high register is often hard to play. Narrow shanks produce bright and sharp tones.
In the list you will find shanks that have letters in their names. These shanks are newly developed models and were invented in order to add some characteristics that the ones with numbers only do not have.
Shank assortment: (ranking according to volume)
下哨管分类：（按体积大小排名）
W1: Copy of an old Viennese shan k. Trombone-like sonorous sound.
W1:
1: Bore of the G1 mouthpiece.
2: Beautiful mellow tone, standard bore G2.
G: Original version of shank Nr. 2; similar to G2 in terms of sound quality and intonation.
W2: Shape of shank W1, however with reduced volume.
L: Guaranteed precise ease of play, beautiful centred tone.
P: All-round orchestra shank, brilliant sound pattern.
3: Precise ease of play, bright to ne, standard bore G3.
4: Especially suitable for young players, a bit too wide for piccolo.
5: Big tone for piccolo, long Seele for the right no te in the high register.
6: For musicians who need deep cups but who do not have enough pulmonary volume.
S: Easy to play, without significant loss of tone quality.
B: For Jazz and entertainment music, easy to play.
J: Narrow dimensions, bright sharp tone, supports to reach notes in the high register.
N: For trumpets with piston system, good results in combinatio n with piccolo trumpet.
7: For Jazz and entertainment music. Bright, sharp tone.
17: Copy of a legendary shank of Bach Corp. Mt. Vermont.
8: Extremely narrow back bore for inpidualists.
On request we provide your favourite model of our mouthpiece assortment with the back bore of your choice.
New models are in planning, technical modification subject to change without notice.
