英文名称：Berklee Jazz Piano
中文名称：伯克利爵士钢琴
目录如下
AUDIO TRACKS|7
FOREWORD|8
PREFACE|9
CHAPTER 1 Mastering Chords|10
Chord Types|10
Voice Leading|11
Practice|11
CHAPTER 2 Bass Parts|16
Bass Part 1: Root Only (1)|16
Bass Part 2: Root and Fifth (1-5)|16
Bass Part 3: Root, Fifth, and Octave (1-8-5-1)|16
Bass Part 4: Root, Fifth, Octave, and 9 (or Flat 9)/3 (1-5-8-9[Flat 9]/3)|17
Practice|17
CHAPTER 3 Harmonizing the Melody|19
Harmonizing Chord Tones vs. Non-Chord Tones|20
Coupling Notes|20
Fingering for Coupling Notes|21
Practice|22
CHAPTER 4 Tension Substitutions|23
Basic Chord Types and Tension Substitutions|23
Practice|24
CHAPTER 5 Syncopation|28
Practice|29
CHAPTER 6 Comping in Rhythm|31
“Random” Comping|32Particalized Random Comping|33
Pianisticizing Your Accompaniment|33
Practice|37
CHAPTER 7 Walking Bass Lines|38
Harmonization with Major and Minor Triads|40
Derivative Bass Lines|40
Practice|41
CHAPTER 8 Open Voicings|42
Drop Voicings|42
Drop-2|42
Drop-3|42
Drop-4|43
Drop-2 and -4 Voicings|43
Adding the Root|44
Substitute Tensions|44
Range|45
Practice|45
CHAPTER 9 5-Part Fourth Voicings|47
Practice|48
CHAPTER 10 Upper-Structure Triads|50
Upper-Structure Fourth Voicings|50
Dominant 7 Converted to Sus4|52
Practice|52
CHAPTER 11 Larger Voicings|53
Creating Larger Voicings|53
Practice|55
CHAPTER 12 Approach-Note Harmonization|56
Diminished Approach Chord|56
Altered Dominant Approach Chord|57
Chromatic Approach|57
Stepwise Diatonic Approach|58
Parallel Approach|59
Practice|59
CHAPTER 13 Introduction to Improvisation|60
Basic Melodic Lines|60
Carrier Chords|61
Approach Notes|61
Delayed Resolution|63
Practice|64
CHAPTER 14 Rhythmic Displacement|67
Skipping Notes|68
Practice|69
CHAPTER 15 Pentatonic Scales and Chords|71
Scales|71
Major Pentatonic|71
Minor Pentatonic|71
Improvising with Pentatonic Scales|72
Intervallic Links|72
Dominant Chord Replacement|73
Three-Part Fourth Voicings|74
6/9 Chords and Inversions|75
6/9 Chord Substitutions|75
Using 6/9 Voicings|75
Practice|75
CHAPTER 16 Modal Melody and Harmony|81
Modes|81
Creating a Modal Melody|82
Creating a Modal Harmonic Framework|83
Activated Modal Frameworks|83
Combinations of Modes in Melody and Harmony|84
Using Modes in Improvisation|85
Practice|86
CHAPTER 17 Jazz Counterpoint|87
Tension Resolution as Counterpoint|87
Upward Resolution|87
Four-Part Counterpoint|88
Practice|89
CHAPTER 18 Additional Harmonizations|90
Substitute Dominant 7 Chords|90
Replacing Dominant 7 Chords With Minor 7 Chords|91
Special Voicing|91
Practice|92
APPENDIX A Lead Sheets|94
APPENDIX B Etudes|99
APPENDIX C Berklee College of Music Piano Requirements|109
GLOSSARY|110
ABOUT THE AUTHOR|113
下载地址及介绍
| 文件类型 | PDF电子书 |
| 文件大小 | 37.5 MB |
| 文件页数 | 114页 |
| 下载地址 | 百度网盘 |
| 提取码 | ewr8 |
| 解压密码 | qupu.52jianpu.com |
封面及部分谱例
